Philosophy Quote by Stefan Molyneux — Inspiring Words on Life, Love & Wisdom

“Truth has nothing to do with the conclusion, and everything to do with the methodology.”

“Sanity is not about confrontation. It's about filtering. Having a stable and happy life is about saying "no" to crazy people, not about inviting them in and then hoping that confrontations are going to make them sane.”

“Those who make conversations impossible, make escalation inevitable.”

“Irrational expectations are at the root of most human suffering.”

“What we do not confront, we inhabit.”

“The greater the gap between self perception and reality, the more aggression is unleashed on those who point out the discrepancy.”

“How do we account for this paradox that the absence of Law universalizes prohibition ... The psychoanalytic name for this obscene injunction for this obscene call, ENJOY, is superego. The problem today is not how to get rid of your inhibitions and to be able to spontaneously enjoy. The problem is how to get rid of this injunction to enjoy.”

“Every moment of life wants to tell us something, but we do not want to hear what it has to say: when we are alone and quiet we are afraid that something will be whispered into our ear and hence we despise quiet and drug ourselves with sociability.”

“I hope it is not necessary for me to stress the platonic nature of our relationship- not platonic in the purest sense, there was no philosophical discourse, but we certainly didn't fuck, which is usually what people mean by platonic; which I bet would really piss Plato off, that for all his thinking and chatting his name has become an adjective for describing sexless trysts.”

“The satyr, as the Dionysiac chorist, dwells in a reality sanctioned by myth and ritual. That tragedy should begin with him, that the Dionysiac wisdom of tragedy should speak through him, is as puzzling a phenomenon as, more generally, the origin of tragedy from the chorus. Perhaps we can gain a starting point for this inquiry by claiming that the satyr, that fictive nature sprite, stands to cultured man in the same relation as Dionysian music does to civilization. Richard Wagner has said of the latter that it is absorbed by music as lamplight by daylight. In the same manner, I believe, the cultured Greek felt himself absorbed into the satyr chorus, and in the next development of Greek tragedy state and society, in fact everything that separates man from man, gave way before an overwhelming sense of unity that led back into the heart of nature. This metaphysical solace (which, I wish to say at once, all true tragedy sends us away) that, despite every phenomenal change, life is at bottom indestructibly joyful and powerful, was expressed most concretely in the chorus of satyrs, nature beings who dwell behind all civilization and preserve their identity through every change of generations and historical movement.”