Death Quote by R.A. Salvatore — Inspiring Words on Life, Love & Wisdom

“You view the gods as entities without," Montolio tried to explain. "You see them as physical beings trying to control our actions for their own ends, and thus you, in your stubborn independance, reject them. The gods are within, I say, whether one has named his own or not. You have followed Mielikki all your life, Drizzt. You merely never had a name to put on your heart.”

“Do we behave out of fear of punishment, or out of the demands of our heart? For me, it is the latter, as I would hope is true for all adults, thought I know from bitter experience that such is not often the case. To act in a manner designed to catapult you into heaven would seem transparent to a god, any god,for if ones heart is not in allignment with the creator of that heaven, then... what is the point?”

“But what of faith? What of fidelity and loyalty? Complete trust? Faith is not granted by tangible proof. It comes from the heart and the soul. If a person needs proof of god's existence, then the very notion of spirituality is diminished into sensuality and we have reduced what is holy into what is logical.”

“...a third [of three] had died in his bunk of natural causes--for a dagger in the heart quite naturally ends one's life.”

“We are all dying, every moment that passes of every day. That is the inescapable truth of this existence. It is a truth that can paralyze us with fear, or one that can energize us with impatience, with the desire to explore and experience, with the hope- nay, the iron-will!- to find a memory in every action. To be alive, under sunshine, or starlight, in weather fair or stormy. To dance with every step, be they through gardens of flowers or through deep snows.”

“A society that doesn't know any longer how to observe every death with proper rituals, that does not know that death is not the end, but only part of the journey, has lost its way, has had the very heart of its humanity torn out.”

“Qu'est-ce que le roman, en effet, sinon cet univers où l'action trouve sa forme, où les mots de la fin sont prononcés, les êtres livrés aux êtres, où toute vie prend le visage du destin. Le monde romanesque n'est que la correction de ce monde-ci, suivant le désir profond de l'homme. Car il s'agit bien du même monde. La souffrance est la même, le mensonge et l'amour. Les héros ont notre langage, nos faiblesses, nos forces. Leur univers n'est ni plus beau ni plus édifiant que le nôtre. Mais eux, du moins, courent jusqu'au bout de leur destin, et il n'est même jamais de si bouleversants héros que ceux qui vont jusqu'à l'extrémité de leur passion.[...] Voici donc un monde imaginaire, mais créé par la correction de celui-ci, un monde où la douleur peut, si elle le veut, durer jusqu'à la mort, où les passions ne sont jamais distraites, où les êtres sont livrés à l'idée fixe et toujours présents les uns aux autres. L'homme s'y donne enfin à lui-même la forme et la limite apaisante qu'il poursuit en vain dans sa condition. Le roman fabrique du destin sur mesure. C'est ainsi qu'il concurrence la création et qu'il triomphe, provisoirement, de la mort.”

“The events unfolded with such speed and efficiency that Anderson found himself in a state of shock. His anger with Bevin and McPhearson was quickly replaced with a sense of impending doom. An unbelievable stream of events had taken place since his training exercises in the Pacific.”

“There was a filmy veil of soft dull mist obscuring, but not hiding, all objects, giving them a lilac hue, for the sun had not yet fully set; a robin was singing ... The leaves were more gorgeous than ever; the first touch of frost would lay them all low to the ground. Already one or two kept constantly floating down, amber and golden in the low slanting sun-rays.”