“When I'm shooting on location, you get ideas on the spot - new angles....” — Satyajit Ray Quote

When I'm shooting on location, you get ideas on the spot - new angles. You make not major changes but important modifications, that you can't do on a set. I do that because you have to be economical.

Sometimes a director is making three films. Perhaps he is shooting a film in Madras and a film in Bombay and he can't leave Madras as some shooting has to be done, so he directs by telephone. The shooting takes place. On schedule.

Most of the top actors and actresses may be working in ten or twelve films at the same time, so they will give one director two hours and maybe shoot in Bombay in the morning and Madras in the evening. It happens.

There's always some room for improvisation.

Young photographers must experiment all the time and not be frightened of using light - freely-shooting straight into the light if need be - making an effort to get new angles on much photographed subjects, and also discovering chemical properties of film itself.

I feel like I can get any shot I want. That's not to sound cocky or conceited. It's because I've played basketball basically every day of my life. So at some point, I've taken just about every shot there is. I've figured out the angles, almost like a pool shark. I know where to use the glass, which dribble I need and which spot I want to reach.

I jumped off a cliff backwards for 'I Am Number Four,' which was pretty cool. I'd never done that before. It took seven takes from different angles and luckily there were no injuries. I came close, though. My head nearly hit the rock at one point.

A figure with curves always offers a lot of interesting angles.