The chance to be both artistically appreciated and commercially appreciated... That's what you hope for.
“The chance to be both artistically appreciated and commercially appreciated... That's what you hope for.”
The World Motivation
The chance to be both artistically appreciated and commercially appreciated... That's what you hope for.
“The chance to be both artistically appreciated and commercially appreciated... That's what you hope for.”
The chance to be both artistically appreciated and commercially appreciated... That's what you hope for.
My overwhelming memory of being a child is the huge amount of love I felt for my mum. She was my everything, because she was both my mum and my dad.
I remember when 'Grease' came out, I used to force my mum to try and grease my hair back, and it was never long enough, and literally I'd be screaming at her, 'Do it. Just do it!'.
My problem is, whether it's for emotion or for the talents that a character has to have in a role, I find it very difficult to not take on a challenge. For instance, 'Phantom Of The Opera,' in truth, scared the crap out of me, but I wasn't going to walk away and say, 'I didn't do that because I didn't believe in myself.'
My father usually does not talk to me about my films, and it was a pleasant moment when he appreciated me the first time.
I like the sensibility of Australian film a lot and the crews are fantastic. Great characters, wonderful people and no line between - I think in Hollywood they have this line between actors and crew a lot, and that just didn't exist, which I really appreciated.
I feel like network didn't want me. I was doing all these pilots, and it never worked out. I was like, network doesn't like me. I'm going to go to cable where I'm appreciated. Then it was funny; I think I had to go to cable for network to appreciate me.
I have always appreciated the honest brutality of the international film world. One need never doubt one's worth in the market. Mine was zero.