The World Motivation
It's the contemporary woman that movies don't know what to do with, other than bathe her in a bridal glow in romantic comedies where both the romance and the comedy are artificial sweeteners.
“It's the contemporary woman that movies don't know what to do with, other than bathe her in a bridal glow in romantic comedies where both the romance and the comedy are artificial sweeteners.”
It's the contemporary woman that movies don't know what to do with, other than bathe her in a bridal glow in romantic comedies where both the romance and the comedy are artificial sweeteners.
Telling writers to shut up is a sure way to keep them talking.
The whole ecosystem of celebrity has broken down for writers. If you go back to the '50s, '60s, and '70s, writers were on TV a lot, and they were allowed to misbehave a lot.
Being raised Catholic in a pressure-cooker household besieged by alcohol and bill collectors enforced and heightened a sense of sentry duty in me, the oldest of five children and the one most responsible for keeping everything from capsizing. Wild indulgence was for other people, the non-worriers.
Technology, through automation and artificial intelligence, is definitely one of the most disruptive sources.
I like A&E. I like those corny intimate-portrait things. They're so kind of ingenious and artificial and soothing.
We make artificial divisions everywhere: Democrats and Republicans, black and white, millennials and baby boomers. Even those of us who are against building walls find ourselves pointing accusing fingers at those wall-builders.
As an actor, I am not comfortable with an artificial beard.
I'm fascinated by artificial intelligence.
A new political-entertainment class has moved into the noisy void once occupied by the sage pontiffs of yore, a class just as polarized as our partisan divide: one side holding up a fun-house mirror to folly, the other side reveling in its own warped reflection.