I'm not the sort of comedian who wants to make audiences think about politics. I'm not clever in that way.
“I'm not the sort of comedian who wants to make audiences think about politics. I'm not clever in that way.”
The World Motivation
I'm not the sort of comedian who wants to make audiences think about politics. I'm not clever in that way.
“I'm not the sort of comedian who wants to make audiences think about politics. I'm not clever in that way.”
I'm not the sort of comedian who wants to make audiences think about politics. I'm not clever in that way.
There's no great secret or plan, I just think I'm funny and I want to make people laugh.
I could probably make another series of 'Phoenix Nights' or 'Max And Paddy,' but that would just feel like a safe bet.
I've got loads of ideas swimming round, and I've even organised them in a nice folder on me computer.
Being a comedian is probably the only job apart from undertaking that isn't age restricted.
A film like 'Shirdi Sai' caters to the family audiences, while 'Rajanna' evokes patriotic sense in viewers. 'Damarukam,' on the other hand, is a full-length commercial film made for the masses.
I give a facial expression in a moment of silence for audiences to react to what I just said and kind of let that marinate with the audience for a little bit. I enjoy the physical part of the comedy as much as the verbal content. People tend to gravitate to not only what they're hearing but also what they're seeing.
I may be working in different languages, but the sentiments of audiences remain the same.
Sometimes when you're inside a story, it's almost better if you don't think too much about its wider cultural significance or if you don't think about how audiences might react to it. That takes you out of the reality of the situation you're committing to as you're telling the story.