I'm obsessed with audiences and obsessed with the journey that an audience goes on.
“I'm obsessed with audiences and obsessed with the journey that an audience goes on.”
The World Motivation
I'm obsessed with audiences and obsessed with the journey that an audience goes on.
“I'm obsessed with audiences and obsessed with the journey that an audience goes on.”
I'm obsessed with audiences and obsessed with the journey that an audience goes on.
After the play of 'Fleabag,' we had conversations with different channels and with film companies about whether 'Fleabag' should be a half-hour sitcom, an hourlong, serialized drama, or a film. And I knew that it couldn't be a drama because I wanted to hide the drama - that had to be the surprise. I knew it had to be comedy.
I change my mind every five minutes. I'm very brutal with my own process. I throw everything away very quickly, and then I have to go out and rummage through the rubbish in the middle of the night to try to find a bit I'd written a week ago.
I see the portrayal of any believable female character as feminist.
I find it odd seeing a DJ playing to huge audiences. I know that people have been doing it for a while, but the fact that it's been embraced so much in America now and it's become like this new, big thing, I find it slightly odd.
I always tell audiences when I talk about writing: Writing isn't something I do; writing is something that I am. I am writing - it's just an expression of me.
We don't care about our audiences that much. We just go out and play.
Audiences in the U.S. can sometimes be a lot less refined. If they like something, they tend to express it more loudly.
I experienced many moments when we were able to overcome language barriers. When they like something during our shows, American audiences would tend to show our fox signs or move their bodies.