I'm always making movies for my audiences, but I'm not trying to meet their expectations.
“I'm always making movies for my audiences, but I'm not trying to meet their expectations.”
The World Motivation
I'm always making movies for my audiences, but I'm not trying to meet their expectations.
“I'm always making movies for my audiences, but I'm not trying to meet their expectations.”
I'm always making movies for my audiences, but I'm not trying to meet their expectations.
I was raised in a deeply Catholic family. There was a sense that everything we were doing was to prepare ourselves for an afterlife in heaven. In my teenage years, that became less important to me. Eventually, that turned into agnosticism, which became atheism.
Casey Affleck is someone I want to work with again. We almost had him on 'Pete's Dragon,' but his scheduling issues didn't work out.
Hindsight is the most dangerous thing imaginable for me. I imagine that's the case for most filmmakers. And I would love to be a filmmaker who was an exception to that rule, but I'm certainly not.
It is important to know what audiences might expect from their genre movies, but I think it is also important to not give them everything they want. As a viewer, I think it can get pretty boring that way.
To look in the eyes of audiences and see the kind of naughty glee that they got with being on the inside, the audience becomes your co-conspirators.
American audiences are great. They get what I am doing, but as my band will tell you, nowhere tops the Irish audience. They are just brilliant. They are very open, but the Americans and Spanish come a close second.
Audiences want to feel something intense, quickly, without wasting a lot of time.
I often conflate the domestic and the cosmic on a daily basis.
When I'm writing a story, I try to reduce it to the barest possible components and go from there.
If you look at my audiences, even in Europe, they're hardly teenagers.