The World Motivation
When the decades pass and you're working in this business, the audiences get older with you. That's the nice part about it. They're so supportive and so loving.
“When the decades pass and you're working in this business, the audiences get older with you. That's the nice part about it. They're so supportive and so loving.”
When the decades pass and you're working in this business, the audiences get older with you. That's the nice part about it. They're so supportive and so loving.
Facebook and Twitter and Instagram are excellent ways to keep in touch with the audience and maintain your image an actor.
I take a lot of naps.
George Hearn taught me that you learn that there are roles that are Tony roles and roles that are not.
When I was a kid, I wanted to be an actor in classics like Shaw and Shakespeare and Chekov and Ibsen.
I may be working in different languages, but the sentiments of audiences remain the same.
As an actor, you know when you've got great material in front of you. When you're working, you think, 'Is this the one? The one that everyone will respond to and be moved by?' You pray that you have told the story well... that your peers will see it and audiences will love it.
If there's anything to be said in a broad way about different audiences it's that I live in a major city, and those themes of isolation, protectiveness, loneliness tend to resonate with other people in major cities.
Ballet in September used to be dead as a dodo. Now, with City Ballet's ingenious decision to give us four weeks of repertory in the early fall, having cut down on the relentlessly long spring season when dancers, critics and audiences droop on the vine, we wake up after the dog days of August with something to look at.