I like that because the fans want to see onstage what they know so well from the big screen.
“I like that because the fans want to see onstage what they know so well from the big screen.”
The World Motivation
I like that because the fans want to see onstage what they know so well from the big screen.
“I like that because the fans want to see onstage what they know so well from the big screen.”
I like that because the fans want to see onstage what they know so well from the big screen.
I guess I've maintained my hair. I'm like a Donald Trump. I have a good, solid head of hair, and that's been my trademark all these years.
I've been around two years shy of 50 years doing what I do. I am a musician.
I still have the tradition of Sunday dinners at my house, and I make all kinds of different Italian foods, and there's a lot of fun going on.
When I started to play trumpet I was fortunate to learn very quickly.
I take it as a compliment when people want to click photos with us. But at times, it is pretty intrusive. People think that because we come on the big screen or on television, they have a right over us.
I was asked to go to Cannes to present Amores Perros. And little did I know that this film would be huge. I saw it for the first time in Cannes, and it was the first time I'd seen myself on such a big screen. And it had a huge impact on me - it was the strangest feeling.
There's a certain cruelty to being on a big screen as your eyelids start to sag and your hair falls out and turns gray that you either have to be able to handle or not. What you can't do is try to force yourself into roles that you could have played or would have played ten years earlier.
I went through a phase of deep introspection. I realised that while doing films back to back, I was getting burnt out and not concentrating on quality. I wasn't preparing for my role and was working like a machine. When I saw the result on the big screen, I felt that the work I'd done was horrible.