If you make a film about childhood, you've got to pick a moment - you know, 'The 400 Blows.'
“If you make a film about childhood, you've got to pick a moment - you know, 'The 400 Blows.'”
The World Motivation
If you make a film about childhood, you've got to pick a moment - you know, 'The 400 Blows.'
“If you make a film about childhood, you've got to pick a moment - you know, 'The 400 Blows.'”
If you make a film about childhood, you've got to pick a moment - you know, 'The 400 Blows.'
The human psyche creates structure. We all go through our lives like, 'Oh! And then I moved here.' We're pattern-seeking, structure-producing machines.
It's luck that one thing works out and one doesn't, it's sort of happenstance.
Some of our favorite films are obviously not written by the person who directed it. And yet a 'Taxi Driver,' or some Nicholas Ray movie, like 'In a Lonely Place,' seems so personal or obsessive or whatever.
Filmmakers are going to make films, just like painters are going to paint.
Sometimes, as an actor, you're so deeply immersed in a part that you lose control of it. If you're really lucky, a few times in your life it'll take you somewhere you never expected to go. It really blows the top off your understanding of your craft.
It just blows me away that I am on, I don't know what generation of fans.
Our goal is that everything we do blows people away.
The more blows you have in life, the better, because it means you're challenging yourself.
The worst blows to humanity from carbon pollution may come at us from the oceans.