Bringing back stamp collecting and bringing back bridge seems like a pretty good way to fight the modern world.
“Bringing back stamp collecting and bringing back bridge seems like a pretty good way to fight the modern world.”
— Noah Hawley · Bridge
The World Motivation
Bringing back stamp collecting and bringing back bridge seems like a pretty good way to fight the modern world.
“Bringing back stamp collecting and bringing back bridge seems like a pretty good way to fight the modern world.”
— Noah Hawley · Bridge
Bringing back stamp collecting and bringing back bridge seems like a pretty good way to fight the modern world.
When I took on 'Fargo,' I thought, 'Well, this is just a terrible idea. Four people will watch it, and they'll hate-watch.' But that allowed me to just go for it and take the risks.
Writing is this odd act, right? To sit and type, or write by hand, or whatever people do. And it requires a real discipline because it is really a sheer act of will that you're creating something, and you're doing it by yourself.
'Fargo' becomes a metaphor for a type of true crime case where truth is stranger than fiction. So, there's no reason that there isn't another 10-hour true crime story that could be told in this region.
My father lived to be 97 and played bridge every day up to the end, so I've got a 50 percent chance of living a long life like him.
I was learning to use a chainsaw because I had to cut the trees for firewood and build a bridge on the logs. Nothing super impressive, but I had to be like This is a spruce, this is a balsam fir. We have beech and maple. I learnt all the different trees and what they do.
Nothing could be lovelier than running across the Golden Gate Bridge in the middle of the fog.
The I-495 bridge over the Christina River in Wilmington, Delaware, is tilting.
I live in Ireland near the sea, only one mile from where I grew up - that's good, since I've known many of my neighbours for between 50-60 years. Gordon and I play chess every day, and we are both equally bad. We play chatty, over-talkative bad bridge with friends every week.
You've got to give an audience something to root for. The minute you get into more dystopian shows, where everything's really dark, and no one has any hope, and there's no positive goal we're working toward, it's a bummer. You run out of gas with them. Because you need to know, 'What am I in this for? What am I rooting for?'