“I always work with two cameras. Its kind of like I'm hypnotizing the s...” — Juergen Teller Quote

I always work with two cameras. Its kind of like I'm hypnotizing the subject with the flashing. It's a bombardment of action, flashes, and I think it helps them to ease into the process.

Normally, whenever I try to photograph my mother, she is extremely impatient and will only stand for a minute and insists on knowing exactly what I'm doing.

When I was a child, I always went to my grandmother's house in Nuremberg for Christmas. My uncle would leave the room, saying he needed the toilet, and then he would reappear dressed as Santa Claus. I was really scared - I'd have to go and hide behind an armchair.

When you have your own kid, it suddenly makes you more aware of how your parents treated you and educated you. Your relationships with your partner, your uncles, your mother all change; you're more conscious of where you came from, of where your roots are. I find that very interesting.

To get a sense of the real Coach Saban, you need to experience him in his element. The moments when cameras aren't around and he's just a coach. Honestly, most of my best memories of Coach are from times I spent with him in the film room. That's also probably where I've spent the most time with him.

I don't want to expose my personal life. It's best that people know me for my work. My family doesn't want to be surrounded by cameras. We want to live like any other family.

Sometimes in golf I've got 10,000 people watching me. Cameras are easy. Doing the Jay Leno show was easy.

Should there be cameras everywhere in outdoor streets? My personal view is having cameras in inner cities is a very good thing. In the case of London, petty crime has gone down. They catch terrorists because of it. And if something really bad happens, most of the time you can figure out who did it.