“That was really the Fifties for me - that whole spirit of flicking the...” — Peter Marino Quote

That was really the Fifties for me - that whole spirit of flicking the paint on the canvas.

I like more the fact that I like to think out of the box. Thinking out of the box goes along with dressing out of the box and living out of the box.

I'm really a fighter against modernism equaling brutalism.

I want to be the first person to animate bags - everything done for handbags bores me to tears - I want to make it more playful.

In 1991, if someone came in with a $1 million budget for a boutique, I would have fainted. Nobody spent even half that. But now, the bar has risen very high.

Life is a canvas of many strokes where shades from different palettes meet into a picture so concrete that some forget it is their own, so become framed themselves.

In particular, I'm drawn to the stories that have big, high concepts and real characters at their heart. And I love where those two worlds meet, and 'Edge of Tomorrow' is the perfect canvas to explore that.

What I've noticed about Hollywood is, if you go out there shouting about who you are, they will love you for it. But if you go out not knowing what it is that you're representing, and you are just a canvas, they will make you into the thing they need you to be.

We're an industry obsessed with the storytelling side of things, the content. And then we got obsessed with the canvas. Is it going to be on television? Is it print? And now the canvas is mobile. But what we really need to think about is the context. The context is where and when the person is consuming it - location, time of day.