I use cinematic things in a theatrical way on stage, and in film I use theatrical techniques in a cinematic way.
“I use cinematic things in a theatrical way on stage, and in film I use theatrical techniques in a cinematic way.”
The World Motivation
I use cinematic things in a theatrical way on stage, and in film I use theatrical techniques in a cinematic way.
“I use cinematic things in a theatrical way on stage, and in film I use theatrical techniques in a cinematic way.”
I use cinematic things in a theatrical way on stage, and in film I use theatrical techniques in a cinematic way.
I really do believe that if you don't challenge yourself and risk failing, that it's not interesting.
I have directed good actors and have gone through the process which is more detailed in theater in a way. You have to get people to stay for two or three hours in a performance. They need more talk and rehearsal than in films.
And I just think that to introduce an unknown Shakespeare is thrilling, too - not to do Hamlet or Romeo and Juliet, to do the richer Shakespeare. People will come to this and not know the story.
A lot of Ennio Morricone's music is just - it's very soulful, very cinematic, and very psychedelic.
A lot of cinematic influences on 'Descender' - Kubrick for sure. '2001: A Space Odyssey' is my favorite movie. It has been since I was 12. I just love that film.
The actors are the greatest executors of tone in a film. They're the most important cinematic component.
I'm developing some high-frame-rate 3-D processes that are going to be, I hope, indistiguishable from reality. This will be quite an unusual cinematic event - you don't just tell an ordinary story, it's more of a first-person experience where the melodrama doesn't get in the way. Being inside the movie rather than looking at the movie.
You know, I went to Oberlin. At that time, grades were - you elected to have them or not. It was all of that era where grades were out the window. But I did very well in school. I didn't really study the arts; I practiced the arts.
The cinematic language and interior destiny of each Iranian film-maker is different. The international influences on them vary from Rossellini to Fellini, Akira Kurosawa to Hou Hsiao-hsien, but there is a strong sense of solidarity.