“As soon as I read that, it clicked: that's my theater of war. It was e...” — Michael Chabon Quote

As soon as I read that, it clicked: that's my theater of war. It was exciting to think that I could write about World War Two from a totally new place.

I found one remaining box of comics which I had saved. When I opened it up and that smell came pouring out, that old paper smell, I was struck by a rush of memories, a sense of my childhood self that seemed to be contained in there.

The First Amendment has the same role in my life as a citizen and a writer as the sun has in our ecosystem.

I grew up in Columbia, Maryland, a planned community built during the sixties. During the early years, it was very integrated. I grew up being taught by black teachers with black principals and vice principals and, you know, a lot of black friends. We played in mixed groups, and I kind of thought that was how it was.

Rodgers & Hart had a few flops before they clicked. You know, it happens. I don't know anyone who always gets away with everything.

But then I got a job selling coffee at the York Theatre, and when I met theatre people, something clicked. I felt comfortable with them; I felt like myself. I decided to go to drama school based just on that feeling. I had never done any acting.

I started writing probably around when I was 15, because that's when I picked up the guitar. That was also around the same time when I began to create my own music, and everything really just clicked for me, and I knew this was what I was going to do.

When I turned 50, something clicked in my head and I said, 'I'm not going to live to 100. I'm half-cooked already.' I set the family down and I said, 'Listen everybody, we're now entering the decade of Daddy. We're going to start doing things that I want to do.'