The World Motivation
The most glorious thing about working in the collaborative art is when you have somebody like Susan Kingsley or Kathy Bates who are better than your play.
“The most glorious thing about working in the collaborative art is when you have somebody like Susan Kingsley or Kathy Bates who are better than your play.”
The most glorious thing about working in the collaborative art is when you have somebody like Susan Kingsley or Kathy Bates who are better than your play.
I was just restless with being in school; so I went out to Los Angeles.
I just loved being divorced from my own wretchedness.
The next thing I wrote was in a writing class at night school. It was about a poor woman who worked at a dime store and who was all alone for Christmas in Laurel, Mississippi.
It's really interesting that whenever you do something that is so out of character, like having an emotional outburst, that you don't get in trouble.
But I'm pretty good with collaborative thinking. I work well with other people.
For the most part, I really love being in a collaborative thing. And in a collaborative thing if you have a singer as good as Sean Smith or Eddie Vedder, you kind of think, well, why don't you just go ahead and let them sing? People seem to really like it.
If I can say so without sounding presumptuous, I want to model women being collaborative instead of competitive.
We were definitely new to the whole music thing. The first album was a real collaborative effort between us, the writers, and the A&R people at Columbia Records. We really worked to find out what our sound was.
People tend to work in teams, in a collaborative way, in an informal network. If you create an environment like that, it's much more effective and much more efficient.