I don't think any comic could say there isn't a bit of them that doesn't want to show off.
“I don't think any comic could say there isn't a bit of them that doesn't want to show off.”
— Bill Bailey · Comic
The World Motivation
I don't think any comic could say there isn't a bit of them that doesn't want to show off.
“I don't think any comic could say there isn't a bit of them that doesn't want to show off.”
— Bill Bailey · Comic
I don't think any comic could say there isn't a bit of them that doesn't want to show off.
There was an existential moment - I don't know if I want to call it crisis - when I turned 50 and I felt 'this is interesting; how did this happen?' It affected me in a way I wasn't expecting. It made me pause for reflection.
As I get older, I have a very strong urge to know about stuff. I want to learn the names of trees and birds; that's the sort of knowledge I want to pass on to my son.
If you're going to perform, you're going to attract criticism. You can't please everyone all the time. You don't know how things are going to come out. But that's part of the fun of it, the adventure of doing any kind of art.
Comedy is the most difficult. Comic timing is something which you either have it in you, or you don't. You have to have a good sense of humour to be able to understand it. A split second can make you lose the punch.
Spider-Man initially made me want to come to New York and work for Marvel; I wanted to be a comic book artist.
I'm not good at narrative; I'm really a gag writer, and that comes from being in the newspaper comic strip world for a while in college. What I do is I just write tons of jokes, then I sort them out in terms of quality and then pick the best of the jokes and then try to form them into a plot. If I get a good theme going, I feel lucky.
As a comic, I think I'm very verbally oriented about a lot of the stuff that I've written or thought up and how I say it.
The devil's in the detail and sometimes if you're thinking too big, you can miss the detail.