The World Motivation
I know a lot of people who have tremendous commercial success and they go directly for it. There's something that has always been difficult about that for me.
“I know a lot of people who have tremendous commercial success and they go directly for it. There's something that has always been difficult about that for me.”
I know a lot of people who have tremendous commercial success and they go directly for it. There's something that has always been difficult about that for me.
For Hunchback, we needed this live, gigantic choir. So we went to London and said, This is Disney! I need singers who can sing high D's, hold them for 18 seconds, and do it 60 times!
I don't like to produce albums. I hate producing albums, as a matter of fact, because I'm an obsessed mixer and I can't leave it alone.
I fought for years and spent a fortune fighting and never got anywhere.
The direct use of force is such a poor solution to any problem, it is generally employed only by small children and large nations.
At first, I didn't want to do unicorns. The artist in me said no. Then I thought, 'Wait a minute: this is commercial art. Let's do what's going to sell.'
I've got friends who are literally working alone on indie games that have no prospect of profit or commercial success. I've got guys working on iPhone games.
In political, strategic as well as economic and commercial areas, Singapore has become a fulcrum for India's policies east of India.
None of my movies have ever made any money, so it's not about commercial success for me. It's always the same thing. I want to create something valuable, something unusual and different that the world has never seen.
When I was 6, I saw a commercial that Jessica Simpson was in, and that was the first time I felt my little heart flutter.