To know what to do with time is to convert a day
“To know what to do with time is to convert a day”
— Sunday Adelaja · Time
The World Motivation
To know what to do with time is to convert a day
“To know what to do with time is to convert a day”
— Sunday Adelaja · Time
Explore more quotes by Sunday Adelaja on topics like Time, wisdom, and life lessons.
“To know what to do with time is to convert a day”
“Time utilization and effectiveness is a major marker for success”
“Your destiny lies in your hands and can be molded with each passing day by the choices you make”
“Take love to people and teach them to abide by the principles of God”
“After you discover your purpose, you have to build a platform for your calling”
“You have to bring relevance to people before teaching them the ways of Christ”
“How baffling it is that we imagined cities incinerated by alien bombs and death rays when all they really needed was Mother Nature and time.”
“Person A understand Person B because the time is right for that to happen, not because Person B wants to be understood by Person A.”
“Lying in bed, the day begins to unfold, and a quiet unease lingers... Will there be enough hours to bring everything waiting in the mind to life?”
“For some reason, the sight of snow descending on fire always makes me think of the ancient world – legionaries in sheepskin warming themselves at a brazier: mountain altars where offerings glow between wintry pillars; centaurs with torches cantering beside a frozen sea – scattered, unco-ordinated shapes from a fabulous past, infinitely removed from life; and yet bringing with them memories of things real and imagined. These classical projections, and something in the physical attitudes of the men themselves as they turned from the fire, suddenly suggested Poussin’s scene in which the Seasons, hand in hand and facing outward, tread in rhythm to the notes of the lyre that the winged and naked greybeard plays. The image of Time brought thoughts of mortality: of human beings, facing outwards like the Seasons, moving hand in hand in intricate measure: stepping slowly, methodically, sometimes a trifle awkwardly, in evolutions that take recognisable shape: or breaking into seeminly meaningless gyrations, while partners disappear only to reappear again, once more giving pattern to the spectacle: unable to control the melody, unable, perhaps, to control the steps of the dance.”