The World Motivation
As a power listener who listens to music between 10 and 14 hours a day and who always has his earphones and MP3 player with him, convenience really means a lot to me.
“As a power listener who listens to music between 10 and 14 hours a day and who always has his earphones and MP3 player with him, convenience really means a lot to me.”
As a power listener who listens to music between 10 and 14 hours a day and who always has his earphones and MP3 player with him, convenience really means a lot to me.
If you're intimate with a mind as powerful as that of Ellen Willis, it takes you a long time to separate yourself from her ideas. She had an extremely powerful mind.
Once people write criticism about something - and even in 1967 I was far from alone - they're assuming it's art, and art is supposed to last.
I don't like most world music because you need to know what the words are to really understand it.
I think place and time for me is often a matter of convenience, something I can use to another end rather than something I'm trying to define because it's somehow fascinating to me in itself. It's more what the place can do for the larger goals I have for the work.
The technologies of convenience are making our sphere of exploration and experience smaller.
To me, speed is really about convenience.
It is function of government to invent philosophies to explain the demands of its own convenience.
Over the years, the way our customers shop our stores and websites has changed and will continue to change with the increasing popularity and convenience of smart phones and tablets.
There's a musicologist named Peter van der Merwe whose theory is that the blues generates tune families, and that their similarity to each other is in fact part of the pleasure you take in them - rather than the differentiation in which Jerome Kern and George Gershwin indulged to great effect.