“I was involved in the color correction and the digital color correctio...” — John Dykstra Quote

I was involved in the color correction and the digital color correction. In an odd way, you end up making a film many times-the DVD, the archival record of a high-definition master, and so on.

We stayed there 24 hours a day. We lived and ate and slept that movie. We were enthusiastic, not just because of the movie, but because we had such a great collaborative team. We had a really good time. It was very much a family.

It's an embarrassment of riches because you have directors who don't better. You end up with so much stuff going on the screen that you don't know where to look, and that's what I consider self-indulgent.

Digital imaging has untied our hands with regards to technical limitations. We no longer have to be arbiters of technology; we get to participate in the interpretation of technology into creative content.

I think transportation and corrections are not the first two areas that I would go looking for massive change.

The whole issue of corrections is something that came up a lot, no matter where we were. I think people would expect that would be a Milwaukee issue, but it's an issue across the state, and that ties to so many other things.

The preparations for my new voyage prevented the possiblity of my paying that attention to the correction of my errors, that I should otherwise have done.

Corrections are good, they keep us all humble.

The Epistle is a correction of profession without life, and most valuable in this respect.