The first snowball I froze was put in my mother's deep freeze when I was in my early 20s.
“The first snowball I froze was put in my mother's deep freeze when I was in my early 20s.”
— Andy Goldsworthy · Deep
The World Motivation
The first snowball I froze was put in my mother's deep freeze when I was in my early 20s.
“The first snowball I froze was put in my mother's deep freeze when I was in my early 20s.”
— Andy Goldsworthy · Deep
The first snowball I froze was put in my mother's deep freeze when I was in my early 20s.
The hardened mass of liquid stones had much stronger qualities than those which had simply torn. The skin remained a recognisable part of the molten stone.
Three or four stones in one firing will all react differently. I try to achieve a balance between those that haven't progressed enough and those about to go too far.
A stone is ingrained with geological and historical memories.
As with all my work, whether it's a leaf on a rock or ice on a rock, I'm trying to get beneath the surface appearance of things. Working the surface of a stone is an attempt to understand the internal energy of the stone.
I honestly have really deep reservations about releasing everything you ever did. Every time somebody farted in the studio, now it's out there.
When I was growing up, my dad would always be playing Motown around the house. He loved Stevie Wonder and the Supremes and got me into Dionne Warwick. It was the best music I'd ever heard. It was just that extremely deep, human, thought-out stream of ideas. You can always hear something new when you listen to that music.
If you want to do things right, you have to dig deep for that inspiration.
Somewhere deep inside me was the will and determination not only to live, but to be a more present mother for my kids, instead of one who was emotionally unavailable because she was in so much pain, as my own mother was.