On 'Baskets,' I'm not sure what the demographic is.
“On 'Baskets,' I'm not sure what the demographic is.”
The World Motivation
On 'Baskets,' I'm not sure what the demographic is.
“On 'Baskets,' I'm not sure what the demographic is.”
On 'Baskets,' I'm not sure what the demographic is.
I'm never trying to make something esoteric; it just happens.
I saw Sleater Kinney perform back when I was in college.
Louie Anderson thinks my thing is the absurdness of reality. That's what we do on 'Portlandia' all the time. I try to bring that absurdness of reality to everything.
Portland is utopia. My favorite thing would be it's earnestness. I am earnest, too.
I can't make a song for a particular person or demographic. If I love it, I'm gonna do it. I have to perform it for the rest of my life. A song is like a tattoo - you can never get away from it.
I've never tried to reach a certain demographic of an audience or try to say, 'OK, now I'm going to do this type of film to transition myself into more adult roles.' Or a romantic hero. Or whatever it may be - you know what I mean?
One of the secrets is, for us, we pick our demographic. If other demographics want to like it, then by all means. But essentially, we're making music for the party, for the club.
I really like the old stuff that I cut my musical teeth on, and I loved it when the industry was just like that, without really a genre. Today, country radio's more aimed at a demographic than a genre. It just softens everything.