The World Motivation
It's not about being modern or classical or about being sexy: it's all about exchanging energies with the audience.
“It's not about being modern or classical or about being sexy: it's all about exchanging energies with the audience.”
It's not about being modern or classical or about being sexy: it's all about exchanging energies with the audience.
You live the life of a dancer. It is not your job, it is your life, and you have to love it so much to be able to take it every day for six days a week, sometimes seven.
I got the same recognition in Russia in one week that I got in London after five years.
In my head I want to do dancing as a hobby. I don't want it to be my job. I want to do it as a joy, not having to do not-very-good galas just to make my living.
I started watching movies more carefully, watching actors - the way they act, the way the movie is filmed, just as a hobby in a way, but also something to progress to maybe in the future.
On film you put all your energies into a single glance.
Violence is part of everybody's life, whether you like or express it or not. My work utilises all the energies that I have, and part of it is violent, and I'd rather it be out than in.
I believe a lot in energies, and I feel that everyone's energies synced in 'Masaan.'
On 'Saturday Night Live,' I never really wrote. You know, I would just - I would let the writers cast me into the show. So my strength - and I put all my energies into performance. I just couldn't deal with the rejection, you know, getting your sketches cut, and it was hard for me.
When you're working with an ensemble, I think you really need different energies because you don't have much time with each character to make them feel real. You want strong personalities that are very different.