Who'd want to be a modernist writer in the English-speaking world?
“Who'd want to be a modernist writer in the English-speaking world?”
The World Motivation
Who'd want to be a modernist writer in the English-speaking world?
“Who'd want to be a modernist writer in the English-speaking world?”
Who'd want to be a modernist writer in the English-speaking world?
What the British seem to like are television historians and naturalists, not public intellectuals. You can't help feeling that's because one supplies narrative and the other supplies facts, and the British are traditionally empiricists so they/we have a resistance to theory and to theoreticians playing too prominent a role in public life.
I think I now understand why it is that the young are so very nostalgic. They have so little by way of personal history that they polish it up and make it shine like a treasured heirloom.
A very beautiful young woman once asked me to sign her breasts. That was back when I was a hip young thing - it's been all downhill since then.
I've received some English-speaking scripts, but I was not interested in them.
I grew up in so much church: English-speaking church, Korean church.
Everywhere among the English-speaking race criminal justice was rude, and punishments were barbarous; but the tendency was to do away with special privileges and legal exemptions.
The U.K. and the U.S. are quite similar in that they have high-productivity, English-speaking workforces who don't mind working long hours. Working in those countries is not a problem.
Continuous present is all we have, and stream of consciousness - which in a novel is arguably just as artificial as the stilted dialogue that you get in most conventional novels. They're all stratagems to try to get closer to the texture of lived life.
I only saw one English-speaking person all the way across Siberia.