Everybody wants to be remembered for the best of who they are.
“Everybody wants to be remembered for the best of who they are.”
The World Motivation
Everybody wants to be remembered for the best of who they are.
“Everybody wants to be remembered for the best of who they are.”
Explore more quotes by George C. Wolfe on topics like Everybody, wisdom, and life lessons.
“Everybody wants to be remembered for the best of who they are.”
“When you're writing, in theory, everybody is serving you. When you're directing, you're serving everybody - in the guise of acting like everybody's serving you. But you're really serving the materials. You're serving the actors. You're in charge, but it's not free.”
“I think I am the first person of color to direct a major white play on Broadway. In 1993? That's astounding to me. And horrifying to me.”
“I was obsessed with New York early on. I was watching sitcoms that were set in or around New York, like 'The Dick Van Dyke Show.' I was always very fascinated with the people who were on 'What's My Line?' and I always had an incredible obsession with the city.”
“Broadway was very vital back in the '20s. There were probably close to hundreds of productions that opened up through the course of the year and through the course of a Broadway season.”
“I guess I had that insecurity of missing out on the normal things that everybody else does. With all the traveling I was doing I felt I was leaving something behind.”
“Everybody wants financial security for their family, and when a player says otherwise, he's lying.”
“Everybody was always telling me to rap and freestyle. I used to go to the park and spit on the mic. If I go to the park, they always gonna give me the mic.”
“My goal is to outwork everybody in recruiting, sign the best players in the state, and turn these guys into the best team we can.”
“I think everybody is always selling me short, and then I always prove them wrong.”
“I want to tell everybody that there is really a living God.”
“When I came to New York, I told everyone I was a writer/director, and they said, 'No.' There was a rule. You could be one or the other. They ordained me writer. But then I won the Obie for directing 'Spunk,' and the rules changed.”