There are only 24 hours in a day, and my top priority is working on my films, but I love short film experiments.
“There are only 24 hours in a day, and my top priority is working on my films, but I love short film experiments.”
The World Motivation
There are only 24 hours in a day, and my top priority is working on my films, but I love short film experiments.
“There are only 24 hours in a day, and my top priority is working on my films, but I love short film experiments.”
There are only 24 hours in a day, and my top priority is working on my films, but I love short film experiments.
I'm not a real film buff. Unfortunately, I don't have time. I just don't go. And I become very nervous when I go to a film because I worry so much about the director and it is hard for me to digest my popcorn.
Every viewer is going to get a different thing. That's the thing about painting, photography, cinema.
Life is very, very complicated, and so films should be allowed to be, too.
Life should be blissful, and blissful doesn't mean just a small happiness. It's huge. It is profound.
The U.S. Military is no place for social experiments.
Vertigo's always been a label that experiments with new stuff and forms of subversion.
I made a lot of different experiments with tapes at that time, until I finally realized around 1995, that sound is an interesting subject for me. Ever since then sound got more and more integrated into my art works, musically as well as physically.
It's just this beautiful laboratory in space, and it's doing a lot of really cool things. So being up there and just being able to fly through that big station one more time and do some experiments while you're up there and get that view out of the cupola... priceless.
I was born in 1960, and space theory, especially in the last part of that time and going into the '70s, space was very relevant at that time. It was on television - all the experiments, the moon landings, everything like that.