I'm not good at being lionized, and when I'm in 'Grateful Dead'-type situations, that happens.
“I'm not good at being lionized, and when I'm in 'Grateful Dead'-type situations, that happens.”
The World Motivation
I'm not good at being lionized, and when I'm in 'Grateful Dead'-type situations, that happens.
“I'm not good at being lionized, and when I'm in 'Grateful Dead'-type situations, that happens.”
I'm not good at being lionized, and when I'm in 'Grateful Dead'-type situations, that happens.
Being in a floodplain is like sitting down in a bathtub.
One man gathers what another man spills
I got really, really sick with a spinal infection that put me in a hospital for a couple of months, and it was touch and go. I had my guitar with me, and as soon as I got well enough to play, there was nothing else to do in that hospital. The nurses would come in and request songs.
I walk away from writing what I consider to be a good song - with a good character, a good story in it - with all I'm gonna really get out of that song. My greatest pleasure is to create it, not to record it, not to hear anyone else play it, though that can be nice too.
It doesn't take a lot to imagine what City means to me: it's been my life for the last almost ten years now. I'm grateful for what the club has given me, and I've given everything to the club.
I didn't ask to be a musician, but I see the responsibility of it and I am grateful for it.
I have times when I doubt what I'm doing. When those moments hit, I think about how grateful I am to be able to do what I do every day. It was harder when I started because I didn't see the response, but now I'm out there playing for people and seeing them happy, which makes it all worthwhile.
We released '1950,' and I felt so grateful for the response from the queer community as well as just musicians and people in the industry responding to it and validating the art I had made. It makes me feel super hopeful.