The World Motivation
I often play on the cello-bass side of the orchestra, because I prefer the deep sounds. I can't hear the violins well.
“I often play on the cello-bass side of the orchestra, because I prefer the deep sounds. I can't hear the violins well.”
I often play on the cello-bass side of the orchestra, because I prefer the deep sounds. I can't hear the violins well.
I hope the seeds I have sown will be taken up by those who will follow me because the journey I have begun cannot be undertaken in isolation.
I walk into a kids' store, and it's amazing, the types of instruments - little squeaky things, rattling things, spinning tops.
It's the things that you notice when you're not actually with your instrument that, in fact, become so interesting, and that you - you want to explore, through this tiny tiny surface of a drum.
Holidays are about experiences and people, and tuning into what you feel like doing at that moment. Enjoy not having to look at a watch.
When I first wrote for orchestra, I didn't realize, when you have 20 people playing a violin line, that is very different than one person playing that line.
What a gift it would be if every child in the country could hear a professional orchestra at least once.
If you listen - and I don't, usually - to my first two records, I sound like a baby surrounded by a beautiful orchestra. I sound so tiny and small.
Pardon me for loitering in front of an orchestra.
Playing in an orchestra is where I learned the most about music.