The World Motivation
People talk very much about, 'What can we do with the orchestra in the 21st century?' We should think about the 21st century, of course.
“People talk very much about, 'What can we do with the orchestra in the 21st century?' We should think about the 21st century, of course.”
People talk very much about, 'What can we do with the orchestra in the 21st century?' We should think about the 21st century, of course.
I'm thankful to Deutsche Grammophon, our partners - we are going to record the complete Shostakovich symphonies and hopefully some other things as well.
Bernstein was everywhere - Vienna, London - and everyone admired him. Of course he loved Boston, and he did so many great things at Tanglewood. He was the best example of what a conductor should be.
I'm sure the atmosphere at Tanglewood and the space there and nature - I think it absolutely fits Wagner's music.
In many ways, I think about the possibility that there could still be a Yes in 100 or 200 years from now, just like a live symphony orchestra.
It's like a whole orchestra, the piano for me.
In 'Secret Life of Pets,' it's a huge orchestra - really, really big.
My father will go see Trans-Siberian Orchestra every single year. I mean, he's completely into it.
You can only learn orchestration if you have the possibility of using an orchestra.
You have a great result if the orchestra trusts the conductor, and the conductor trusts the orchestra.