“It's funny, because I was trained as a dramatic actor at New York's Co...” — Peter Scolari Quote

It's funny, because I was trained as a dramatic actor at New York's Colonnades Theater Lab in the '70s, along with Jeff Goldblum, Danny DeVito and Rhea Perlman. People I worked with there saw a comedian in me. I'm still most at home in comedy.

I probably make more money in a year on 'Newhart' than 70 percent of your working top-name stars. Some weeks I just have six lines, but it doesn't bother me.

The first thing you have to get when you play somebody iconic is you have to get lucky. More than anything else, you have to make a leap of faith and know that somewhere, the net will appear, and you'll find your way.

We all have an obligation as actors to be true to ourselves and our best instincts, but often there's a higher purpose, which is to serve the text and, in the grander sense, serve the series, even if that means to fall on your sword and take the hit.

It's much better to wreak havoc on a show and be a maniac than promote myself. Plugs and anecdotes aren't really in line with my beliefs. Besides, if someone sees me on a morning show and thinks, 'That's not funny; this guy is crazy,' then I don't want them to come to the show anyway.

Nobody ever went broke underestimating the taste of the American public.

In the U.K. and Ireland, crowd-work is a big thing. It shows you how funny someone would be if you met them off-stage. Americans don't care if you're funny off-stage. They want to see the writing; they want to see the work you did.

If love is the answer, could you please rephrase the question?