As soon as street art got popular, I was just like, 'I'm out of here.'
“As soon as street art got popular, I was just like, 'I'm out of here.'”
— Barry McGee · Popular
The World Motivation
As soon as street art got popular, I was just like, 'I'm out of here.'
“As soon as street art got popular, I was just like, 'I'm out of here.'”
— Barry McGee · Popular
As soon as street art got popular, I was just like, 'I'm out of here.'
For me, graffiti means making marks on surfaces using just about anything, be it markers, spray, paint, chalk, lipstick, varnish, ink. Or it can be the result of scratches and incisions. The aim is to maintain the energy created by disturbance or excitement in the street.
As soon as I start reading, drawing comes to me more easily. I find I work in my sketchbooks more. But if I'm working on a new show, my reading completely stops except when I'm on a plane. I take a stack of New Yorkers with me. I feel awful about those stacks of New Yorkers.
If I could get the respect of 14-year-olds, I'm happy. They're the toughest audience.
I got popular for what I really like to do.
If something is well-written, it has a chance to be good and if it's not well-written, it will not be good. It could even become popular, but it won't be good.
I know why Migos are popular - they're good, and they make great videos, and they're funny.
I can't do something just because it's popular.
It's not enough for something to be popular; it has to be good.
Work done illegally outdoors or without permission feels like pure freedom to me. I understand how it can upset many in our society, but in the bigger picture, it is ultimately about freedom. We are living in a time where public space has become a commodity for corporations to control and dictate what is seen and heard.