The World Motivation
With these scripts and these writers, so much of it is done for me. Because we don't just throw words around: we make sure the audience understands.
“With these scripts and these writers, so much of it is done for me. Because we don't just throw words around: we make sure the audience understands.”
With these scripts and these writers, so much of it is done for me. Because we don't just throw words around: we make sure the audience understands.
There wasn't an episode of 'Will & Grace' that didn't begin with my voice saying, 'Will & Grace' is taped before a live studio audience.
I could probably eat sushi every day.
It's very strange - several years ago, I was in the running for the 'Young Frankenstein' musical. Kristin Chenoweth was going to do it, but then she backed out because she got 'Pushing Daisies' on TV, and then, the next day, I went in for my final-final audition, and I saw Megan Mullally standing there.
With scripts I've always looked at them and thought about kids, you know? Thought about the world and the impact... I won't do nudity and I never felt comfortable with that whole idea or things with huge sexual content - not my thing.
The majority of scripts I get are in the comedy genre.
With my characters, I prefer to not say too much, and in fact, I tend to cut down some of the lines in most scripts I get.
I've read some scripts, but I don't read as many books as I should.
When Katarina sent me 'Bunnylovr,' I had seen her shorts before. I'd read other scripts, but I was like, 'This is amazing. I would love to be a part of this in any way.' I feel so lucky to be a part of it and to be a small role in it, too.
I would come home with my friend Bill, and we would sit and watch 'Get Smart.' And I was Agent 44, and he was Agent 85. And it was a fantastic - and all we wanted to do was sleep with Barbara Feldon.