“'The Panorama' is also the last place anywhere in New York where the W...” — Jerry Saltz Quote

'The Panorama' is also the last place anywhere in New York where the World Trade Center still stands, whole, as it stood in the early morning of September 11. I can also see the corner where I saw the first tower fall and howled out loud. Seeing the buildings again here is uplifting, healing.

There's one Baldessari work I genuinely love and would like to own, maybe because of my Midwestern roots and love of driving alone. 'The backs of all the trucks passed while driving from Los Angeles to Santa Barbara, California, Sunday, 20 January 1963' consists of a grid of 32 small color photographs depicting just what the title says.

Works of art often last forever, or nearly so. But exhibitions themselves, especially gallery exhibitions, are like flowers; they bloom and then they die, then exist only as memories, or pressed in magazines and books.

I also take pleasure in the so-called negative power in Grotjahn's work. That is, I love his paintings for what they are not. Unlike much art of the past decade, Grotjahn isn't simply working from a prescribed checklist of academically acceptable, curator-approved 'isms' and twists.

I always felt uncomfortable with real estate because buildings don't move, and neighborhoods change.

I'm so happy with 'The Blacklist.' Give me more people to shoot and throw them off buildings.

Of course, I have given my engineers some headaches over the years, but they go with me. I have always wanted my buildings to be as light as possible, to touch the ground gently, to swoop and soar, and to surprise.

As a kid, we would drive up and down 77 North - that's our highway - there would be office buildings on the side of the highway and I'd be like, that's what my house is going to look like when I get older. I'm going to start making my house look like this.